From today and for 28 days, we will promote and finance #Sortirducadre. Talk about it, share, donate !
#Sortirducadre is a documentary project of a film and serie about artists and works under free and open license in art. #freeart
#Sortirducadre : trailer, using images from the film 492 shots by Joseph Paris, music by Ödland for l’école du chat noir by Lorenzo Papace, and their voices. https://josephparis.fr/492shots/ https://soundcloud.com/lecoleduchatnoir
#Sortirducadre : we have exceeded 1000 € in donations, 35 people have contributed and many more have relayed! A huge thank you for all this confidence, which gives even more meaning to this project. #freeart
#Sortirducadre is a documentary project of a film and serie about artists and works under free and open license in art. Off course license under Free Art Licence 1.3 and CC BY-SA 4.0. http://artlibre.org/licence/lal/en/ https://creativecommons.org/licenses/by-sa/4.0/deed.en
Pablo Albandea is one of the two directors of Sortir du cadre. Attached to the analog rather than digital image, he develops an aesthetic at the crossroads of abstraction and documentary intimacy.
Lent ciné showed its first short film Sur la terre (On Earth) during the first edition of the festival Nos Désirs sont Désordres. Marked by reflections on free in the art world, he joined the collective and now places his work under free license. http://pabloalbandea.com/sur-la-terre/
Initially turned towards audiovisual performance, he’s evolving today as well in cinema as in theater, dance or contemporary art.
He regularly collaborates with artists like Damien Jibert, the choreographer Thomas Ballèvre (Super [p] oser, Autopilote) or the experimental electronic music group Grand 8. https://www.youtube.com/watch?v=cgOp5Aa0Wf4
He is part of the company Les Enfants Sauvages (Choisir l’Ecume, Game Over) and the audiovisual group Asié Usu (Gingko, La Lune Vague). http://pabloalbandea.com/
Tristan Duval is the second director of Sortir du cadre. Very committed, he educates himself on the job in image and sound, and uses these media to exteriorize and to understand and criticize this capitalist and patriarchal world.
In 2015, he and others started directing the film Et vos rêve ?, which follows the anti-advertising activists of Lille who are preparing the trial of two of them for smearing advertising media. http://lentcine.tuxfamily.org/et-vos-reves/
It is at this point that he really discovers open and free licenses in art, and becomes aware of the role they can play. Tristan starts to like audiovisual creation, and continues to create, while training himself, both in tools and in theory.
In 2018, he finished his first solo feature film : Où je vais ?, a film experience over a year of life. His work places human at the center, while trying to understand mechanisms in our societies. http://lentcine.tuxfamily.org/ou-je-vais/
Today Tristan is still working on his movies’ projects and to get involved with Lent ciné. He is also learning about music and photography, and published his creations under free licenses. http://tristetemps.tuxfamily.org/
Joseph Paris is a filmmaker. In 2006, he directed Le bal des innocents, the first French feature film initiative under Creative Commons.
In 2008, he was at the initiative of the Kassandre collective and campaigned against the concept of intellectual property and for the use of copyleft licenses in cinema. http://kassandre.radicalcinema.org/
In 2012 he films the Femen movement and in 2014 directs Naked War, a film in which he decodes the cinematic grammar of these spectacular actions. https://en.josephparis.fr/femen-naked-war/
From then on, his work took two directions : he realised films produced in the circuits of copyrighted cinema, and others, more experimental, which he placed under free license. https://en.josephparis.fr/
He is finishing The flag, a documentary feature that seeks to determine how a certain identitarian closure has managed to impose itself and make itself admissible. https://en.josephparis.fr/the-flag/
Joseph Paris is the first person we interviewed for #Sortirducadre. And we wanted to thank him because he has helped us a lot since !
Joseph Paris tells us the giving to give model. (Subtitles available)
#Sortirducadre: Antoine Moreau defines himself as an artist maybe. He was at the initiative of and co-editor of the Free Art License in 2000, and set up the Copyleft Attitude association. http://artlibre.org/licence/lal/en/
He is also a lecturer in the Multimedia department of the University of Franche-Comté. He thinks about the concepts of free art and free culture, and shares the results of his reflections in writing and during meetings. https://framablog.org/2009/05/14/art-libre-et-culture-libre-antoine-moreau/
His art works are turned towards others, his meetings and sharing being part of the works. https://framablog.org/2017/08/16/antoine-moreau-linfini-est-en-cours/
During our meeting, he offered us a sculpture, numbered 952. It is still near Poitiers and has hardly moved. But it is preparing for a great journey. https://antoinemoreau.org/
Antoine Moreau tells us about the different licenses. (Subtitle available)
#Sortirducadre : Lorenzo Papace is art director, film director and music composer. He is at the origin of the manifesto for a universal intermittence of the arts. https://lorenzopapace.fr/ https://www.artinsider.fr/blog/un-salaire-pour-tous-les-artistes-manifeste-pour-une-intermittence
He founded his group Ödland, which offers contemporary, poetic music, tinged with melancholy and sometimes humor. Enriched by its visual universe, it oscillates between folk, pop, songs in classic colors or sometimes electronic. https://vimeo.com/306144651 https://odland.fr/
After directing many films and music videos, he specialised in paper for artworks, set designs, stop motion videos and photographs. https://vimeo.com/42315862
He is also the creator of L’école du chat noir, an animated series that wants to popularize anarchism, « a school of revolt and freedom » that we highly recommend. https://invidio.us/channel/UCqJ4PgXsd2KFY2K2Vldc-MQ
Lorenzo Papace tells us about the figure of the artist. (Subtitle available)
#Sortirducadre: Aryeom and Jehan are part of the association LiLa (free like art) and work on the creation of ZeMarmot, a free animated film project. https://libreart.info/en/ https://www.helloasso.com/associations/lent-cine/collectes/sortir-du-cadre
Aryeom is an independant animation film director and artist. Her first co-directed short animation, “Grandma Ocean” got screened in more than a dozen festivals and won 2 prices. Aryeom is ZeMarmot’s director and script consultant. https://girinstud.io/en/
Jehan was an actor. He then turns to IT and travels. He is one of the main contributors to Gimp (more than 600 commits in recent years), and is the main author and developer of ZeMarmot. https://girinstud.io/en
ZeMarmot is a project of 2D animation movie, to be released under CC BY-SA and Art Libre licenses, fully made with creative Free Software (GIMP, Blender, Ardour…), and currently funded by hundreds of individuals or organisms from all over the world. http://film.zemarmot.net/en/
Aryeom and Jehan from the ZeMarmot project tell us about the need to pay artists, despite the lack of money. (Subtitle available)
#Sortirducadre: Benjamin Jean is a lawyer, specialized in intellectual property. He is involved in collaborative, open, free projects, whether in the software or artistic fields. And he practices music. https://inno3.fr/equipe/benjamin-jean
He founded his consulting firm in #OpenInnovation Inno³, is president of the association « Open Law, le droit ouvert » and is co-founder of EOLE (European Open source & Free Software Law Event). https://inno3.fr/ http://openlaw.fr/ http://eolevent.eu/
He wrote Option Libre. Good use of free licenses, and contributed to the book Histoires et cultures du Libre, both published by framabook. https://framabook.org/optionlibre-dubonusagedeslicenceslibres/ https://framabook.org/histoiresetculturesdulibre/
#Sortirducadre: Niccolò Moscatelli is an artist, Blandine Bernardin produces exhibitions, and they are also curators, members of the curatorial collective Polynome. https://www.theshowroom.org/relationships/niccolo-moscatelli
Founded in 2017, Polynome it operates in a decentralized and informal way. Like a laboratory, the collective carries out constant research work which is presented to the public in the open form of exhibitions, editions, events … https://www.polynome.org/
The subjects it explores relate mainly to the social and democratic practices which manifest themselves in response to the current system dominated by late capitalism. https://www.polynome.org/
In 2019, the collective presents the exhibition Please Trespass, which is an invitation to question the concepts of intellectual property and copyright and the limits – legal, economic, and creative – that they pose. https://www.polynome.org/please-trespass
The artists present in the exhibition translate these questions into alternative creation and distribution methods: free licenses, open source tools, re-appropriation of content, etc. https://www.polynome.org/please-trespass
#Sortirducadre: Aisyk and Nomys_Tempar are musicians and members of the Musique Libre association.
Aisyk tries out different instruments (synth, harmonica, sansa …), ways of composing (nanoloop, renoize, hydrogen …). He recently finds his happiness in live compositions with his NDS game console and the Korg DS-10 software. http://www.aisyk-projets.fr/qui-suis-je/
Nomys_Tempar is also a self-taught musician. He first learned the drums, then the guitar, and composed music, including electronics, for different projects. He is also a member of the Alolise and Khaganat associations. https://nomystempar.fr/#aboutme
Since 2004, the association Musique Libre has been campaigning for music to be accessible to all, while respecting copyright. It supports and promotes the creation and independent exploitation of music within the framework of free and open licenses. http://musique-libre.org/a-propos/
Everyday, it welcomes artists and labels from all countries on the Dogmazic platform, who have chosen to allow the public to share their creations using open licenses, such as Creative Commons or the Free Art license. https://www.dogmazic.net/
#Sortirducadre : Aisyk from Musique Libre tells us about the sources of the works.
#Sortirducadre : David Revoy is an artist specializing in illustration, art-direction, concept-art, storytelling and teaching. He only works with #freesoftware on a #GNULinux system. https://www.davidrevoy.com/static2/about-me
In 2010, he participated in the Blender Institute’s Durian project, as artistic director of the film Sintel, released in 2010. He is again artistic director of the film under free license Spring, released in 2019. https://invidio.us/watch?v=WhWc3b3KhnY
In 2014, he created the webcomic Pepper&Carrot, published under the Creative Commons BY license, and funded by thousands of people around the world. Episode 31 was released a few weeks ago. https://www.peppercarrot.com/en/article464
From 2017, he illustrates the #Contributopia campaign of Framasoft, and created for Contributopia’s travel journal in 2019, a responsive card. All these illustrations are published under the CC BY license. https://commons.wikimedia.org/wiki/Special:ListFiles?limit=100&user=Deevad
We are there, while there are still five days left! You gave us 2500 € to create #Sortirducadre! Thank you, thank you and thank you all again. Thank you for your trust !
#Sortirducadre : David Revoy tells us about moral rights. (Subtitle available)
#Sortirducadre: Gee (/ dʒiː /) is a doctor in computer science, author and cartoonist, novelist, musician, blogger and campaigner for the diffusion and promotion of free culture. https://ptilouk.net/
He is the author and designer of Geektionnerd published between 2009 and 2014, of the GKND series and of Grise Bouille. His drawings were used to create Gégé, the Geektionnerd generator, if you want to express yourself without knowing how to draw. https://framalab.org/gknd-creator/
In 2018, he published Working Class Heroic Fantasy, a novel of social struggles, a fantastic adventure of the working class in a heroic fantasy world. https://framabook.org/working-class-heroic-fantasy/
All his works are under free license (CC-By-Sa most of the time). In addition to the free, he militates for “to screw up the current moldy system of the cultural industry (it is a little linked but must not be said too loud)”. He is a member of Framasoft.
We haven’t met Gee yet, he’s the next person we’re going to interview.
Thank you all for your donations, your relays, for your enthusiasm. We have exceeded the target of € 2,500, and new donations are still coming to us. We are still far from the minimum necessary to be able to make the film and the series, but we will be able to go to the end of the filming more serenely, and continue to seek funds. We decided to open this site to keep you informed of the progress of the project, and to more easily receive your help.
Thanks and see you soon.
Pablo and Tristan